Showing posts with label avant funk. Show all posts
Showing posts with label avant funk. Show all posts

Tuesday, March 23, 2010

The VW Brothers: Formidable Bass, Lively Latin Funk-Fusion


The VW (Van Wageningen) Brothers are Paul VW, drums, and Marc VW, electric bass. They've been sidemen in a number of hip ensembles, namely those of Gonzalo Rubalcaba, Pete Escovito, George Duke, Sheila E., Paquito D'Rivera, the Tower of Power and Paul Winters.

They break out on their own in their new Muziek CD (Patois). Afro-Cuban Funk-Fusion with a touch of Brasiliera is what they favor here. The mid-sized unit performing on the disk puts primacy on arrangements. The originals and how they lay out have their charm. There's a sort of Weather-Report-meets-Latin-jazz feel for much of the outing, and it is not unpleasant. Then again, Tower of Power funk rubs shoulders with Latin percussion and vocals at times, but it is no mere pastiche. Plus all the musicians have solid abilities and put them to good use.

However, it is Marc VW's electric bass that most often impresses. He takes on the lead melodic voice in spots and blends with other instruments on others (bass and tenor in unison is a favorite device). His solo work shows formidable technique and good taste. Clearly he is one of "emerging" bassists that extends the Jaco Pastorious legacy forward in time and stylistic development. He is pretty hot. Paul VW plays some invigorating traps too.

If there is a kind of polish on much of these cuts that is typically found in many dates of this sort, that is only to be expected. The slick veneer gives the music commercial potential and (one assumes) radio play. With all of that this is still some of the most appealing new music within this particular genre cluster. Not every cut is a killer, but the best ones get rolling. It moves!

Thursday, November 12, 2009

Defunkt in 1990

Originally posted on February 6, 2008

And then there is Defunkt. It’s a mid-sized band that began under leader Joseph Bowie in 1978. I believe they are still together. The CD I’ve been checking out is Defunkt Live at the Knitting Factory (Enemy) recorded in NYC 1990.

Now I don’t know enough about their extensive discography to tell you whether their sound has changed in any big way since that period, but what they did back then was a volatile mix of funk, rock, jazz and avant elements. I suspect they are doing much the same today. Bill Bickford was playing a raucous funk electric guitar and the band had gotten pretty tight. It was a bit too "in your face" to get a lot of commercial attention. There are some real moments on the disk, though.

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