From out of Canada comes electric bassist and composer Rich Brown and his recent album Abeng (RDB 03). The title refers to the hollowed-out cow's horn which is traditionally used by the Maroons of Jamaica to call the community together for social gatherings and to communicate news and other messages. It is a kind of metaphor for Rich Brown's musical communications, dedicated to the fight against racism and the all-important Black Lives Matter movement.
This is a very worthwhile set of Afro-Fusion Jazz, with Rich Brown playing a key role as a virtuoso of the electric bass and as composer of the music heard here. He is joined by Luis Denz on alto and Larnell Lewis on drums, plus a shifting gathering of Chris Donnelly or Robi Botos on piano, Kevin Turcotte, trumpet, Kelly Jefferson, tenor, and Rosendo Chendy Leon on percussion.
The music has memorable compositions, a good deal of space for Rich's eloquent bass playing both in ensemble and as soloist, as melodist and riff master, and a very solid, tight and proficient group of sidemen that establish moving fusion grooves and lyrical suspensions as called for, improvise nicely, and realize Rich Brown's objectives fully.
Rich Brown is a bassist of stature. The album is filled with worthwhile contemporary music. You should check it out!
Showing posts with label rich brown abeng gapplegate guitar and bass review. Show all posts
Showing posts with label rich brown abeng gapplegate guitar and bass review. Show all posts
Thursday, April 7, 2016
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