Michael Bisio is among today's very most important contrabassists in Avant Free Jazz. Similarly Kirk Knuffke is a cornetist of great stature, a master artist. Cellist Fred Lonberg-Holm may not automatically call up associations with the greatest living improvisers, yet he shows us in the company of Bisio and Knuffke to be in every way a potent third voice, a master of line and sound in himself. All that we hear in a recent trio recording of the three called The Art Spirit (ESP 5053).
The general breakdown on this eight segmented improvisational suite is a kind of natural grouping together of bass and cello against a very horn-like set of utterances from Knuffke's cornet. Three of the works are by Michael, the rest are collective compositional endeavors. It makes for a cohesive and dynamic energy trajectory and a way of expression clearly with the roots in a jazz tradition, yet free and open too.
It is one of those sessions where everything clicks, where all three in tandem define a way to explore simultaneous lines and textures.
The album is dedicated to modern artist Robert Henri (1865-1929).
Happily the aesthetic underpinnings are at the forefront. This is ART MUSIC, Jazz rooted excellence throughout. Do not miss it!
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