Together with a crack band they fan the flames of groove on Souleymane. In a way Traoré does with the guitar what West African kora harpists have done in the past with their instrument--but not exactly because he does what a guitar player does, only he taps into that larger context of kora and lute-like instruments and how they do riff and go well beyond riffing at the same time. It's there, transformed and made newly original.
This is magnificent music--grooving with heat and smarts!
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