Throughout the period singles were the principal medium to get blues out to its public. By the close of this period LPs were starting to assert themselves, but the grassroots attention was still on the single even then, pretty much. So a collection of the singles output is much a collection of his most significant work.
The set follows chronologically in order of release. We get a gradual unfolding of his art, beginning much of the time with John's electric, his stomping feet and his vocals. Although increasingly the I-IV-V progression is implied, John never sounds the changes himself. Later on other guitars, bass, piano may sound the IV and V changes overtly, and in the end drums supplement his stomps, but John's droning guitar riffing remains a key element as it did for the rest of his career.
And all that is crucial because his guitar approach was as influential as anybody's in this period, even though from a technical perspective there were many others who were more developed, surely. What John plays, though, is always right, always right for what he wants to do. Needless to say his vocals were some of the most electrifying and soulful sounds you could hear then...and now.
There are favorites, must-haves like "Boom Boom," "Boogie Chillen," "Crawlin' King Snake" and there are those more obscure, but it's ALL good. He was like the cat who always landed on his feet, no matter what the fall. Peerless.
This is essential. Absolutely.
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