Guitar jazz adept Joshua Breakstone returns with his Cello Quartet for a look at some fine composer-pianists within the hard-bop and related jazz idioms of the fifties and early sixties on 88 (Capri 74144-2). Pieces deserving a new look combine with some fine swinging modern jazz soloing from a top-notch group.
Breakstone is a fine chordal colorist and an excellent lining soloist who combines smarts and soul. Mike Richmond adds much to this quartet with nicely thought through pizzicato lines in a post-Pettiford manner. Lisle Atkinson's bass and Andy Watson's drums give the set a groovingly solid foundation at all times.
Breakstone gives a tributory nod to the pianists in his original "88." From there we get a worthy handling of some beautiful and lately somewhat or completely neglected masterpieces: Mabern's "The Chief," Clark's "News for Lulu," Walton's "Black," Waldron's "Soul Eyes," Hope's "Moe is On," Harris' "Lolita," Dameron's "If You Could See Me Now," and Tristano's "Lennie's Pennies."
The combination of the pianistic classic repertoire and the Cello Quartet instrumentation gives us a very fresh take and some very nice playing. This is surely one of Breakstone's best and I suspect any jazz loving listener out there will find plenty to like.
Very recommended!
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