First off, the music knocked me out. Sal's post-Rypdalian electric guitar work is very hip on the one hand, and he gives us some excellent space rocking things that show off his beautiful electric sound and conceptual post-psychedelic Milesian imagination.
And then there is the acoustic guitar-vocal songs, on the other hand. He can sing and the songs have a quirky darkness-in-light that Sal suggests is out of the Nick Drake-John Martyn bag. That may well be but the songs stand on their own. Henry Miller comes up too in Sal's ruminations, and we hear from him on the miseries of New York. I do not say no to that, any of it. Then there is something like "Nap Dust," based on Zappa's progressions from "Sleep Dirt." It is cool. "Ticket to Ride"? A remake that works.
There is 70 minutes of musical strength here. I love his electric work and I appreciate the songs. It's a nicely DIY album with overdubs to get a group thing when he needs it. What counts is it is very good indeed.
It's good, first-rate, original music. And it belongs on this page for the excellent guitar work. So I would like to recommend this one to you. It stands out as important. Encore! You can find this one on Bandcamp. You should.