The program consists of ten originals by Charlie or Cameron. They are marked nicely by bright and lyrically moving chord changes and effective soloing on top of it all along with set melodic elements at times--to my ears. Early Pat Metheny comes to mind as a precursor to this kind of thing, yet nonetheless this is on firmly original ground in itself.
The album title Local Folklore is somewhat telling, for the music has something of a folkish quality--in its consistent earthiness that with some additions might be the underpinning of some singer-songwriter or country ditty of a while back, and like Gary Burton and Metheny there manages to be a Jazz emanation all rolled into the sequences.
The guitar work generally divides into a chording underpinning and a guitar solo of a melodic and improvisatorially distinct element on top. I've long appreciated Charlie Rauh's work in the past and also liked what I have heard of Cameron Mizell (type their names in the search box above for reviews). And it so happens that they are so locked into a way of doing the music that they complement one another, rather exceptionally so.
It is a music that brings a smile to your face if you are like me. There is real artistry here and a lyrical bright sunshine feeling that furnishes a happy sequence of tones and sequences. I give kudos here for these two. Strongly, happily recommended.