Showing posts with label r and b. Show all posts
Showing posts with label r and b. Show all posts
Monday, November 28, 2011
Inc's "Three" for a Debut EP
For something in the state-of-the-art in R&B/pop/rock hybrids today, we have Inc and their first EP 3 (4AD). It's a strongly beated, keyboard centered three-song thing with vocals that sound a little Prince-like.
It layers nicely, gets depth of sound and hits it pretty well. If I don't have a lot to say about it, it's because this is not entirely my cup of tea. That doesn't mean I don't appreciate it. It has a good sound and it's an example of some very musical arrangements and production.
Monday, October 26, 2009
The First Recordings of Ray Charles
Originally posted on December 12, 2007
Nat “King” Cole. Right. Everybody remembers him singing “Unforgettable” or whatever in front of a microphone. But who remembers that a.) He was one of the most important jazz pianists of the ‘40s; and b.) long before he was fabulously popular he had a trio of bass, piano and electric guitar and would do advanced instrumental pieces as well as vocals? He was not so commercial as he became, but tremendously respected in those days by musicians and those who liked jazz.
Ray Charles had a similar period (really a few, but that’s another story). When he first started recording for Swing Tone and Down Beat records (1949-1952) he had a trio just like Nat’s and sometimes even sung like him. Other times he would do blues and soul sides that set the stage for what he would start doing so well and successfully for Atlantic Records. On these early sides his trio was on the beam and there are some larger band arrangements as well from then. A Night Trane 2CD set of his early work (complete) came out a little while ago and it’s well worth having. The man was terrific, even then. Listen to “Hey Now” or “See See Rider” and you’ll get the idea.
Nat “King” Cole. Right. Everybody remembers him singing “Unforgettable” or whatever in front of a microphone. But who remembers that a.) He was one of the most important jazz pianists of the ‘40s; and b.) long before he was fabulously popular he had a trio of bass, piano and electric guitar and would do advanced instrumental pieces as well as vocals? He was not so commercial as he became, but tremendously respected in those days by musicians and those who liked jazz.
Ray Charles had a similar period (really a few, but that’s another story). When he first started recording for Swing Tone and Down Beat records (1949-1952) he had a trio just like Nat’s and sometimes even sung like him. Other times he would do blues and soul sides that set the stage for what he would start doing so well and successfully for Atlantic Records. On these early sides his trio was on the beam and there are some larger band arrangements as well from then. A Night Trane 2CD set of his early work (complete) came out a little while ago and it’s well worth having. The man was terrific, even then. Listen to “Hey Now” or “See See Rider” and you’ll get the idea.
Labels:
jazz,
nat king cole,
r and b,
ray charles
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