Showing posts with label avant jazz bass. Show all posts
Showing posts with label avant jazz bass. Show all posts

Thursday, May 22, 2014

Mary Halvorson, Thumbscrew, with Michael Formanek and Thomas Fujiwara

Guitarist Mary Halvorson has cred out there that is deserved. She plays in her own avant garde jazz style and has been doing so for some time. She forms one-third of the trio called Thumbscrew, whose self-titled album came out earlier this year (Cuneiform). Mary joins up with bassist Michael Formanek and drummer Thomas Fujiwara to make a very potent combination.

The album features compositional material freely treated and that puts it all in a more ambitious context than a free pickup date might have.

The album shows off all three and their special ways of putting themselves across. It also has a real group dynamic going on between the three.

If I am a little behind posting on it that has nothing to do with worthiness. This is a goody. Any serious student of free music/out jazz and the modern guitarist, bassist and drummer should give this one a spin.

I hope they continue their association for a long time to come. In the interim there is the debut album. Listen to it if you can! Oh, I should mention they are on tour in Europe and US through September, 2014. Look them up on the net to see if they are coming to your zone.

Thursday, December 5, 2013

Shayna Dulberger, Ache & Flutter

Lest we forget that "and Bass" is in the title of this review blog, it is time to get back to some new releases by bassists. Up today is a new album by Shayna Dulberger, upright bassist of tensile strength and inventiveness. The album is a quartet outing, titled Ache & Flutter (Empty Room Music 006) and it is excellent. This is music in the avant, open free jazz zone. It ripples with charged energy.

The band is Shayna plus Chris Welcome on electric guitar, Yori Kretzmer on tenor sax, and Carlo Costa on drums. This is what's great about Brooklyn, or one of the things. Jazz artists of stature, both known and unknown, live there and there is continual cross-fertilizations going on all the time, something so necessary for a "scene" to come about. Here are four artists you may not know very well but it takes a Brooklyn to get them together and get them TOGETHER, so to say.

There are eleven short numbers, all written by Ms. Dulberger, all driving the music and giving the players paces to slot into and thrive. And they do. Shayna has that very percussive push that reminds me of Mingus. Whether soloing, teaming up in a killer rhythm tandem with Carlo Costa, forming a four-way persona in ensemble improvisations or getting involved with the compositional motives, she shows what an artist she is on the bass. It is no accident that William Parker, bass titan, writes some very complementary liner notes in the inner sleeve of this album. She is a heavy and shows us how and why on this album.

But the band is hot, too. Costa is a drummer of excellent musicality and gets a head of froth going when needed or lays back and swings strongly but not loudly. Chris Welcome plays lines on the guitar that identify him as Chris Welcome, himself and nobody else. They are melodically-harmonically out but also mostly linear in that horizontal lining sense that lays the artist bare before the listening ear and puts the immediacy at stake at every moment.

Yori Kretzmer has character in his tenorism. He has lots of SOUND in his playing, controlled human utterance plus outness that can be gruff or winding along post Lester-Trane-Rivers. It's the what as well as the how with him too, since these are hip out lines going places but also sounding skywards.

What we have is 42 important minutes of music, showing this band to be a contender on the avant scene today, showing Shayna a bandleader that (I sure hope) is here to stay, a very good writer of the structured tune-composition frameworks, and a bassist that is right there, right here, right wherever she is, a real player!

So if what I wrote just now makes you think you might like this one--believe me I am not saying it all for my health! It is what it is--but what that is, IS! In the best sense of IS!

For more information on Shayna Dulberger's recordings and to order paste the following address into your browser and hit "enter": http://shaynadulberger.com/Albums.html#AF