Well and so as one might in these tributory gestures I took a wait and see approach. By the end of the first listen I was impressed, and even more so as I listened again and again. The ideal remake is one where there is no attempt to mimic the finished sound, but rather there is a re-exploration that puts the music in a new light, makes you hear it differently than you are used to doing. And that's just what this formidable TRIalog manages to do.
This is a studio-as-canvas effort. The total sound is a careful amalgam of the improvisatory and song-oriented play of the three in tandem. The electronic backwash lays out nicely and on top are Boris and his special reinterpretive vocalizations, Raffaele's smart saxophonics, sometimes doubled and tripled, and the nicely played, very imaginative double bass work of Marco.
The arrangements put the music in soundscaped prog avant jazz rock territory and force you gently to reconsider how the song lines and lyrics hold up in a resituated creative music environment. And the answer is, extraordinarily well--to any questions implied here.
Songs, very creative arrangements and the high talents of Boris, Raffaele and Marco make this a transformative experience. You savor it each bit at a time and find as you become familiar with it all that this is one of the greatest tributory remakes ever done, really.
Very fine music, on any number of levels. By all means you need to get it!
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