And so we get six Scheidt compositions as springboards for the group improvisations that follow. The compositions and the soloing reflect a modern update of the classic sound. Holder on bass, Gordon Au on trumpet, Rich Perry on tenor, Victor Gould on piano and Anthony Pinciotti, drums, do not sound like Miles-Shorter-Hancock-Carter-Williams clones, mind you. But they do channel some of that in their playing and the compositions reflect the kind of harmonic-melodic sophistication of the Shorter-Hancock writing style.
For all that there is no real deja vu feeling as much as a feeling of extension into the present. These are excellent, committed artists who have something to say within the classic models. Au on trumpet straddles Miles-Hubbard in his own way, Perry goes beyond Shorter to accommodate a contemporary mainstream approach, Gould has all the harmonic sophistication, touch and intelligent note choice you'd expect, but injects himself too. And the bass-drum rhythm team of Scheidt and Pinciotti strongly anchor the music with real artistry and no slavish attempt to imitate.
The resulting set is a tribute to the bass and composition smarts of Scheidt and a very well-constructed group effort that keeps giving you things to appreciate as many times as you hear it.
Well-done! Very recommended.